Roy Jenkins remembers the laughter and joy he shared with a
woman of unique style, and Arthur Schlesinger, Jnr, on the political
widow who remained determined to lead her own life
Roy Jenkins:
I first saw Jacqueline Onassis on Columbus Day, 1960. It was a most
beautiful mid-October day which Ian Gilmour and I spent, almost
literally, on the Kennedy bandwagon in and around New York.
I do not
think that Jackie Kennedy was present for much of the time, for she
was not a great campaigner, nor indeed very keen on politics in any
form. And she was pregnant. However she was present at the final
meeting, which, ironically in view of future events, took place in
front of the so-called Freedom Hotel in West Harlem, into which
Fidel Castro had previously moved for a United Nations session,
because his entourage was not allowed to pluck its chickens at the
Waldorf-Astoria.
That meeting was addressed by one of the most
memorable collection of speakers I have ever heard: Mrs Roosevelt;
old Senator Lehmann, the epitome of liberal Jewish New York; the Rev
Adam Clayton Powell, a black local Congressman who was stronger on
tub-thumping than on devoutness; and the Presidential candidate John
F. Kennedy. The oratory was to me both bizarre and mesmeric.
Visually, however, it was Mrs Kennedy, at once demure and dazzling,
who stole much of the show. During the 34 months of the Kennedy
presidency, I came through mutual friends to know her somewhat. But
it was only after the assassination that I knew her at all well.
I
remember on a very hot evening in 1965, at an F. Scott-Fitzgerald-like
house on Long Island Sound, playing with her one of my last singles
sets of tennis. Very soon afterwards I decided that it was only
doubles for me, but that was not because of the fierceness of her
game. She was an exceptionally bad tennis player, maybe because of a
reaction against Kennedy competitiveness, and even I had to try
quite hard to lose a couple of games.
She was a loyal supporter of
her husband's family, and spontaneously close to Bobby Kennedy
during the four-and-a-half years between the two assassinations, but
she always stood back a little from the stockade athleticism of the
Kennedys, a more zestful version of the Isle of Wight activities of
the Bottomley clan, and brought up her own daughter and son who
could hardly have had a more intimidating start than as the children
of an assassinated President and most famous widow in the world with
a quiet fastidiousness as successful as it was perceptive.
I hardly
saw her during the Onassis marriage, but then came back to an
intermittent friendship during the last two decades. In earlier
years there had been a certain revolving lighthouse quality to her.
Sometimes the beam would flash forth with dazzling brightness, then
it would turn away again. But as the sense of appalling exposure
(not to physical danger, but to an inquisitive and unmerciful world)
gradually faded when the horror of 1963 receded, so she became less
defensive and lived an increasingly normal, though hardly average,
New York life.
She worked seriously as an art publisher's editor, a
job she did part-time but by no means in an amateur or frivolous
way. I retain two particularly vivid memories from the last ten
years. One is of a long train journey from Euston to Bangor, for
David Harlech's funeral following his fatal motor crash in 1985.
(There was always a lot of tragic and sudden death about both the
Kennedys and the Harlechs, which was perhaps one of the things which
held them together and made him such a successful Ambassador to
Washington in the "Camelot years"). There was a strong Kennedy
representation, including Senator Ted and Jean Smith, now the
American Ambassador in Dublin. With the two of us, we were six at
adjacent tables in the restaurant car, and I suppose attracting some
attention.
Suddenly Jackie was seized with admiration for the
English countryside (it was a bright day, though the London to Crewe
route is hardly the most scenic in Britain), and sought to put her
other English countryside memories into geographical perspective.
"Where's Chatsworth?" she said in her low, slightly breathless
voice. I pointed vaguely northward. "And where's Badminton?" I
switched to an equally vague south-westerly direction. "And where's
Birch Grove?" (Harold Macmillan was still alive, but the scale of
housing was descending.) I pointed backwards down the train. And
then after a longer pause, and going much further down the scale,
"And where's East Hendred?" (our house near Wantage). Whereupon,
almost before I could get in my final southerly point, we all
dissolved into the uncontrollable laughter which is not incompatible
with sad journeys.
The second memory is more recent. In 1991, she
and her nice, comfortable, intelligent diamond-merchant friend,
Maurice Tempelsman, came for Oxford Encaenia. She gave the
impression of enjoying everything, the Sheldonian ceremony, even with
its uncomfortably-backed seats, the Latin, the All Souls luncheon
despite not nominally being one of the stars, which is to say she
did not get a degree, although she was inevitably the star
attraction at the post-ceremony festivities. On the next day I had a
few of her old friends to lunch with her at the House of Lords,
which she wanted to see. After it and a quick visit to the gallery
we stood in the lobby while one or two people came up. For quite a
long time we were a quartet: Jackie, Archbishop Runcie (who was a
great success), Solly Zuckerman (who had been at the lunch) and me.
When she got back to New York, she wrote an enchanting thank-you
letter saying that her idea of heaven was to stand perpetually in
the lobby of the House of Lords chatting with this group. I
discovered subsequently that she had used the same thought, with the
locale transferred to the courtyard of Hradcany Castle, in a letter
to President Havel. But I did not blame her in the least for that.
If I had found such a felicitous phrase I would certainly have used
it more than once, and it was good for me to be taken down a peg. In
any event, whatever her real heavenly preference may have been, I
hope that she finds it.
She was very brave ("when I think of all
the time I wasted on those wretched press-ups", she said when told
of the nature of her illness). She was discriminating. She obviously
had unique style. And she gave great pleasure to others.
Arthur
Schlesinger, Jnr:
She was a woman of fierce independence. Of course
she was famously beautiful and elegant, and she fascinated and
enchanted her age. But one recalls above all the quiet but
implacable determination, amid the uncontrollable blazes of
publicity, to live her own life.
Her father, Black Jack Bouvier, was
a swashbuckler. Her mother was a very proper society matron. She was
brought up at a time the 1940s and in a place, Newport, where young
ladies were taught to conceal their intelligence lest it frighten
young men away.
She observed the conventions, but underneath a shy
exterior developed cool judgment of people and an ironical slant on
life.
In the early 1950s, she met another ironist, John Fitzgerald
Kennedy. Their marriage was a notable moment in the social history
of the United States: at last the Irish were accepted in Newport.
Jacqueline Kennedy took to her new political life more easily than
her Newport friends expected. Like her husband, she was an idealist,
and, like him, an idealist without illusions. She came to like
politicians and their free and easy talk, and she came rather to
like campaigning.
Bursting upon the electorate in 1960, the handsome
couple seemed the embodiment of youth, and rather daring in a nation
ruled by tired old men. She added more than decoration. Jack Kennedy
always sought her assessments of people, and sometimes asked her to
carry out confidential missions. When, for example, he wanted to
talk to John Kenneth Galbraith and me, but did not want to disquiet
his possessive and overworked campaign staff, Jacqueline would make
the call and set up the meeting.
Once her husband had been elected
President, she wondered how she could best play her role as
presidential wife (she detested the term First Lady, regarding it as
undemocratic). Her expertise lay in the arts, and her aim was to use
the White House to honour artistic achievement. Soon Casals,
Stravinsky, Robert Frost, Isaiah Berlin and Leonard Bernstein were
presidential guests.
Jackie saw the White House itself not as a
private residence but as a possession of the American people, and
she very efficienctly organized a redecoration and refurnishing
designed to renew the historical continuities. To those of us on the
White House staff, the Kennedys appeared an affectionate couple,
delighting in each other and their two attractive children. No one
can know the inwardness of a marriage, but despite latterday tales
of women parading through the White House, theirs seemed
increasingly close.
The President could be a solicitous husband. I
remember his asking me, after the loss of their third child, whether
I could get Adlai Stevenson to send a note of condolence: "Jackie
is very fond of Adlai, and hasn't heard a word from him."
Then came
Dallas. In the dark weeks and months afterward, Jacqueline and her
brother-in-law, Robert, were drawn together in grief. He became the
protective element in her life. Seeking privacy for her children and
for herself, she moved to New York and began a new career as an
editor in a publishing house, a job for which her critical eye and
flawless taste admirably equipped her.
She was proud of Robert
Kennedy in his opposition to the war in Vietnam, but hated it when
he decided to run for President. "They will do to him what they did
to Jack," she said to me in March 1968. In June, "they" did as
she predicted.
Three months later, seeking a new protection, she
married Aristotle Onassis. After Onassis died, Jacqueline returned
to her quiet, highly disciplined life: winter in New York; riding in
New Jersey or Virginia in spring and autumn; summer in Martha's
Vineyard.
An excellent mother, she raised unspoilt children and
taught them how to elude the paparazzi. Both are lawyers; Caroline
has co-authored a book on the Bill of Rights and now has three
children of her own.
In her middle years, Jacqueline was more
fascinating than ever. Her finely modelled face resisted age. She
always had the seductive habit of giving undivided attention to the
person with whom she was talking. Her humour gleamed, and her zest
for life never flagged. She was a great reader and loved the
theatre. She followed politics and remained an ardent, liberal
Democrat to the end.
In 1992 she acquired a new friend in Hillary
Rodham Clinton. They lunched together a couple of times during the
campaign, hit it off at once, and kept in close touch thereafter.
The illness struck unexpectedly last December. Doctors diagnosed it
as lymphoma in January. She seemed cheery and hopeful, perhaps to
keep up the spirits of her friends.
"I feel it is a kind of
hubris," she told me. "I have always been proud of keeping so fit.
I swim, and I jog, and I do my push-ups, and walk around the
reservoir, and I gave up smoking forty years ago and now this
suddenly happens." She laughed as she talked. Chemotherapy, she
added, was not too bad; she could read a book while it was
administered.
The doctors said that in 50 per cent of cases lymphoma
could be stabilised. She bore the last ordeal with characteristic
gallantry, and with never a word of complaint. She died as she
lived, in grace and in dignity "a very classy dame", as they say
in New York.
Henry James would have understood her, and could have
portrayed her. She will be remembered as the American woman at her
best: brave, disciplined, ironical, imperturbable, filled with a
vivid sense of the potentiality and the sadness of life.
Arthur
Schlesinger is the author of A Thousand Days: John F. Kennedy in the
White House.